Adélaïde MARINE-GOUGEON

As an “agrégée,” Adélaïde Marine-Gougeon has an advanced teaching degree, and she taught in high school for several years. She is currently writing her doctoral thesis, Circulations, réseaux et identité des familles blanches créoles de la Martinique au xixe siècle, entre transcolonialisme et nationalism (Circulations, Networks and White Creole Family Identity in Martinique in the 19th Century: Transcolonialism and Nationalism, under the supervision of Jacques-Olivier Boudon (Sorbonne Université, 20th-Century History Center) and Myriam Cottias, (CNRS, CIRESC). She is also an “ATER” (teaching and research fellow) in contemporary history at Sorbonne University’s School of the Humanities.

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This engraving – of a vain man excessively decked out in an outfit that verges on the ridiculous – reflects the image that white Creoles had of “mulattos.”  <em>The Mulatto</em>, drawing by Pauquet, engraved by Stypulkowski, ca. 1840; engraving from a collection presented by Bertrand Tillier, <em>The French Portrayed by Themselves</em>, Paris, Éditions de l’Amateur, 2012, p. 663.
This engraving – of a vain man excessively decked out in an outfit that verges on the ridiculous – reflects the image that white Creoles had of “mulattos.” The Mulatto, drawing by Pauquet, engraved by Stypulkowski, ca. 1840; engraving from a collection presented by Bertrand Tillier, The French Portrayed by Themselves, Paris, Éditions de l’Amateur, 2012, p. 663.

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