Arts in Europe

The Commissioning of Artwork for Charterhouses during the Middle Ages

Contemporary Christ in European painting from the second half of the nineteenth century

Monastic Orders as Vehicles of Diffusion in Europe

Sacred Neo-Byzantine Decorative Arts and European Philhellenism during the nineteenth century, regarding the work of Ludwig Thiersch

Flemish Artists’ Training Voyages in Italy

Contemporary Christ in European painting from the second half of the nineteenth century

Migration and artistic identities

Migrations of Italian Artists to France, from 1650 to 1789

The emigration of French artists in Europe after the Revolution of 1789

French engravers in the face of Jansenism during the Eighteenth Century

French Protestant Artists and the Refuge

The Sack of Rome (1527): the Triumph of Mannerism in Europe

Migration of Twentieth Century European Dance Artists

Judeo-German Musicians Exiled to the United States (1933-1944)

Filmmakers from Berlin and Vienna exiled in Hollywood

Architecture and real estate speculation during the second half of the nineteenth century

The French Garden

Twentieth-Century Churches

European Art Facing Otherness

European art viewed from the Persian and Indo-Persian worlds (Iran, Central Asia, India)

The Figure of the Chinese in European Art

Russeries in the Construction of a European Exoticism

Architectural Japanism in Europe (1860-1910)

European influence in Japanese architecture (1860-1930)

Jazz in Europe

Introduction of European art in Korea during the eighteenth century

Euro Banknotes: Gateways, Windows, and Bridges

Cartographic Representation of Europe during the Renaissance

The European Imagination of the Forest: From the Margins to Loss

The International Exhibition of Modern Decorative and Industrial Arts of 1925

Council of Europe Art Exhibitions

Nationalist Discourses on Art During the Nineteenth Century

Nationalist Discourses on Art During the Nineteenth Century

Archaeology as a Central Issue in the Creation of Identity

Diffusion of Artistic Forms: “Styles”: 1200, 1300 and 1400

Belgian Symbolism and Nationalist Discourse

Archaeology as a Central Issue in the Creation of Identity

Mannerism

The invention of the “expansion of French art” by Louis Réau

John Ruskin (1819-1900) and French Painting

Sergei Eisenstein, a man of books

Architectural photography in Europe

Henriette Hertz, Jacques Doucet, Aby Warburg

Graphic Arts Collections in Renaissance Europe

The Library of a “True Connoisseur”, Charles Sauvageot (1787-1860)

Architectural drawing collections at the Nationalmuseum in Stockholm: Reflection of French-Swedish exchanges during the seventeenth and eighteenth centuries

The Monument

The Monument

Eugène Viollet-le-Duc (1814-1879)

Industrial Heritage: A New Cultural Issue

National Architectures in Europe

Prospective and experimental utopias in 1960s Soviet architecture

The Ruin as Monumental Object in European Architecture

The cathedral, an emblematic European monument

Women Art Collectors in 19^th-20^th Century Europe

Women Photographers in 19th Century Europe: Amateurs and Professionals

The Gothic or Opus Francigenum: An Architecture from France Without Borders

Palladio, a model for the architecture of classical Europe

From Wool to Clothing: Commercial Circulation in Bronze Age Europe

The Egtved Girl